In this grimly compelling film, documentary filmmaker Errol Morris tackles one of his most perplexing and ambiguous subjects: former defense secretary Robert McNamara, widely identified (and in many quarters reviled) as the architect of the Vietnam War.
The octogenarian McNamara, a former head of Ford Motor Co. whose government service began during World War II, is filmed via Morris's invention, the Interrotron, a device that allows interviewer and subject to look into each other's eyes while also staring directly into the camera lens....
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